Campfire Andromeda

Before starting this review, I would like to share technical aspects and package details.



 10Hz–28 kHz Frequency Response

115 dB SPL/mW Sensitivity

12.8 Ohms @ 1kHz Impedance

Dual High Frequency Balanced Armature Drivers + T.A.E.C.

Single Mid Frequency Balanced Armature Driver

Dual Low Frequency Balanced Armature Drivers

Beryllium / Copper MMCX Connections

Machined Aluminum Shell

Tuned Acoustic Expansion Chamber™ (T.A.E.C.)


Package Details:

 Andromeda Earphone

CA SPC Litz cable

Leather case

Comply TX-400 Tips

Foam earphone Tips

Silicone Earphone Tips

Earphone clearing tool (with magnetic holder)

Small CA branded broach


Test Equipment:

Lotoo Paw Gold Titanium

Opus #1

Astell Kern AK120

Astell Kern AK70


Design & Isolation;

Campfire Andromeda has a box that I can define as ‘small’ but it includes enough accessories and tips. The carrying bag is made of genuine leather and quite high quality. Inner surface of the bag is covered with soft cotton material that ignores unwanted scratches. Andromeda’s body is one if its kind and made of zirconium blasted aluminum. I have heard that the first version of Andromeda faced some complaints so sharp edges did not disturbed me while using this revised second version. The body is not big and not too small but smaller than I expected. Its size is similar with S-EM9 and a bit smaller than CE-05. Its original green body color is much more better than the photos and the changing color tones up to light seems really nice. The stock spc cable which included in the box is very ergonomic and high quality. I can easily say that I really like the body ergonomics unlike some listeners.

Andromeda’s isolation is precisely successful and it provides enough isolation by the silicone tips. I prefer using Spinfit tips instead of stock tips. The isolation is better with Comply foam tips but I actually do not like Comply foam tips, so I prefer silicon ones.



Andromeda has really low impedance level, so it is possible to hear hiss with some of DAPs. I have heard hiss with almost all of the DAPs I have used. I heard too low hiss with AK70 and AK120 but actually high with LPG, still it is an acceptable hiss level. SE846 and Zeus-R both I used to have before, have the same sensitivity level as Andromeda.


Sound Type:

Andromeda is one of the best IEM that I had ever have, in terms of upper frequencies. Trebles are extremely detailed and bright, mids are relatively back and bass are strong enough. The trebles performance is impressed me a lot. CE-05 has also a similar performance but I can say that Andromeda is one up on. Overall sound detail is incredibly high and it does not have a boring reference sound character despite this sound detail. Mids are bit back but vocals are not that back in the overall sound character. Bass is not that dominant but it is able go deeper and has enough quantity. Bass depth and volume may change upon the used tips. Andromeda’s holographical 3D presentation could be one the best ones I have ever heard. Soundstage is wide and deep enough.



I really like Andromeda and I understand why no one wants to sell it and everyone wants to go on using. Andromeda is on the same level with some high-priced IEMs and I really appreciate its performance.



Trebles, trebles, trebles… Really fascinating. Upper frequencies are significant and spreading over a large area. Upper frequencies’ significance relaxes the ears and also increases the detail level. It is really easy to make the distinction of the smallest tints, movements and every instrument even if it is in the back. Treble extension and overall stage resolution are very impressive. Some listeners can find the trebles bright, however they are not uncontrolled and there is no sibilance definitely. Actually, it is pretty surprising while trebles are that bright and front but still there is no sibilance and harshness. I also appreciate that trebles are that bright but there is not any metallization, Ken Ball has created a really successful tuning. It did not lose control in any high rhythmic tracks. I tested rhythmical metal tracks and I again impressed by its performance, trebles are really controlled and detailed. The presentation of high frequency strings like violin, oud and acoustic guitar are also extremely natural and detailed. Clear and spacious presentation of upper frequencies provides a crystal clarity audition, details and tints are distinctive and explicit. However, this kind of presentation has an advantage that it exposes the minor faults in the records.

Actually, until last year, the trebles weren’t more important than bass and mids but in recent period trebles significance is increasing for me. Treble performance of earphones affects overall presentation, so I exactly prefer dominant and distinct treble IEMs and in this sense. Andromeda is a really great choice for me. I do not have MMCX cable so I could not find the chance to test it with other cables but I heard that it fits good with Alo Ref 8 cable. Copper cable could be a better choice for listeners who find the trebles too bright. I think that Andromeda’s best harmony is with AK120 and LPG. Actually, LPG has very rigid and aggressive upper frequency presentation so I think the harmony could be not so good, however the LPG that I use in PMEQ setting caught a good harmony. This helps Andromeda to reveal the all potential and trebles do not have an aggressive and rigid presentation.



Andromeda’s enchanted presentation is still same for mids as well. Mids are located a bit back in the overall presentation and actually it provides a better stage width. It creates good space between instruments and stage is spacious. Mids’ level of detail is pretty above average as trebles, it is really enjoyable to listen to stringed instruments and possible to hear the smallest detail of strings with the trebles. Instruments are bit bright and thin notes in terms of overall presentation effect. For instance, while I was listening to Jazz, double bass was playing a bit thinner note but I still feel amazed.

Andromeda makes you crave to listen to the instrumental tracks due its organic and clear presentation. None of the frequencies shade or extinguish each other. Instruments are not closely located even can be counted as away in the overall but it still has a successful unveiled presentation.  Vocal performance is really clean and fluent instead of dark tones due to vocals’ one move ahead position in the overall soundstage.  You may hear the slightest tongue movement of the singer even. There is no mid hump an sound is not so warm, it is more sharp and neat. There is no down slope however trebles’ front location causes little bit weaker upper mids. That does not point out to a there is no body in overall presentation but we cannot say that it has an bold mid presentation too.



Low-frequencies are not that much as quantity. If you prefer strong, deep and full bass, I think Andromeda might not be the best choice. Bass is clean and spacious. Nevertheless, the quantity and the strength are satisfying. If the track that you are listening to includes no bass, you do not hear it, however if it includes bass, you hear it sufficiently in terms of quantity and depth. If there is light bass in the track, you really hear weak bass, there is no exaggeration. In this sense, it does not present enhanced bass, you get exactly what it is. Andromeda has a high quality natural resolution and detailed bass presentation instead of bloated bass.

There is no initial spread or uncontrolled presentation. The recover time is quite fast and short and here is the advantage of armature driver. It feels like the bass in the tracks arise from different places and it does not dominate to other frequencies, almost even it is like separate than mids and trebles. It is possible to make the distinction of layers and it hits deep. The bass presentation is firm, not spreading and not in the upfront.

Andromeda offers an enjoyable audition with its satisfying depth and strike power while listening to many genres like EDM.



Andromeda has amazing holographical 3D presentation and quite width soundstage. Overall presentation is spacious and stress-free. Imaging of instruments are really successful. The space between the instruments and the positioning in the stage are quite good. The lack of mid-hump plays the biggest role in this success. Background is quite clean and there is no any mixing, however I think that there can be a bit darker background. Soundstage is really successful in terms of depth but it is not that successful on width Andormeda’s.


Briefly, Andromeda is a magnificent earphone. Its performance is almost same and sometimes even better than the double priced earphones. I did not like that much any of the earphones that I have ever listened, actually it took much time for me to meet Andromeda while it has released a long time ago. It is my mistake to delay it somehow.

Andromeda is an end game earphone with its hyper detailed treble performance, enchanted mids and 3d holographical stage presentation, for many users. It is possible to upgrade the existing performance with some cable types. It deserves a good point with quality of material and workmanship. Andromeda is an absolutely killer earphone in this price range.

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